Per Pianoforte. By Piero Rattalino. By Stephen Heller. Piano. Studies & Exercises. Book Only. Composed 1979. 64 pages. Hal Leonard #ER2796. Published by Hal Leonard (HL.50485308).
UPC: 073999853087. 9.0x12.0x0.212 inches.
Hellers Etudes, Op. 45, first publisbed in 1844, were defined by the composer as << introductory to The Art of Phrasing >>. Heller clearly states the problem of technique as one of sound quality rather than of mechanics and as a system of controllingno fewer than three tone colours at once. The edition is based on the first edition published and includes a preface, with historical introduction.
I presenti studi, pubblicati per la prima volta nel 1844, sono definiti dallAutore "introduzione allarte di fraseggiare". Con lOp. 45, Heller poneva con chiarezza il problema della tecnica non come meccanica ma come sonorita e come sistema dicontrollo di almeno tre distinti colori timbrici. Il problema della varieta timbrica della sonorita viene quindi proposto allallievo con limpidezza ed efficacia didattica. La presente edizione e basata sulla prima edizione, emendata dagli errori checon tutta evidenza apparivano dovuti allincisore. Sono mantenute le diteggiature originali.
Per Pianoforte. By Piero Rattalino. By Stephen Heller. Piano. Studies & Exercises. Book Only. Composed 1979. 64 pages. Hal Leonard #ER2796. Published by Hal Leonard (HL.50485308).
UPC: 073999853087. 9.0x12.0x0.212 inches.
Hellers Etudes, Op. 45, first publisbed in 1844, were defined by the composer as << introductory to The Art of Phrasing >>. Heller clearly states the problem of technique as one of sound quality rather than of mechanics and as a system of controllingno fewer than three tone colours at once. The edition is based on the first edition published and includes a preface, with historical introduction.
I presenti studi, pubblicati per la prima volta nel 1844, sono definiti dallAutore "introduzione allarte di fraseggiare". Con lOp. 45, Heller poneva con chiarezza il problema della tecnica non come meccanica ma come sonorita e come sistema dicontrollo di almeno tre distinti colori timbrici. Il problema della varieta timbrica della sonorita viene quindi proposto allallievo con limpidezza ed efficacia didattica. La presente edizione e basata sulla prima edizione, emendata dagli errori checon tutta evidenza apparivano dovuti allincisore. Sono mantenute le diteggiature originali.
Preview: 25 Studi Op45 Piano Studies
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