Concert band (Bass Clarinet, Bass Drum, Bassoon, Bb Euphonium, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Claves, Crash Cymbals, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Suspended Cymbal and more.) - Grade 3
SKU: CF.CPS282
Composed by William Harbinson. Folio. Score and parts. 176 pages. Duration 4 minutes, 55 seconds. Carl Fischer Music #CPS282. Published by Carl Fischer Music (CF.CPS282).
ISBN 9781491166307. UPC: 680160925353. 9 x 12 inches. Key: Bb major.
“It matters not if we fail, but I need you to at least try, because then you can forgive yourself. Regrets will keep you chasing demons for the rest of your life.” —O.E. BoroniNo Regrets opens with a burst of sound that foreshadows the spirited nature of the composition. The percussion section plays a leading role throughout. A quieter (but still restless) expansion of the opening motive follows (m. 21). A brass chorale (m. 33) leads to a brief recollection of the initial flourish that closes the opening section. A hauntingly quiet passage further explores the principal motivic material (m. 47). A transition leads to an aggressive outburst of percussion and tutti interjections from the winds (m. 70). The opening section is restated (m. 88). A majestic climactic restatement of the brass chorale (m. 112) precedes an energetic coda (m. 122) that completes the composition in a major key. .
“It matters not if we fail, but I need you to at least try, because then you can forgive yourself. Regrets will keep you chasing demons for the rest of your life.” —O.E. BoroniNo Regretsxa0opens with a burst of sound that foreshadows the spirited nature of the composition. The percussion section plays a leading role throughout. A quieter (but still restless) expansion of the opening motive follows (m. 21). A brass chorale (m. 33) leads to a brief recollection of the initial flourish that closes the opening section. A hauntingly quiet passage further explores the principal motivic material (m. 47). A transition leads to an aggressive outburst of percussion and tutti interjections from the winds (m. 70). The opening section is restated (m. 88). A majestic climactic restatement of the brass chorale (m. 112) precedes an energetic coda (m. 122) that completes the composition in a major key.xa0.
