Piano/harpsichord and orchestra (solo: pno – 1.2.2.2 – 2.2.0.0 – timp – str)
SKU: BR.PB-14620
Urtext from the new Beethoven Complete Edition. Composed by Ludwig van Beethoven. Orchestra; Softbound. Partitur-Bibliothek (Score Library).
The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.
Solo concerto; Classical. Full score. 96 pages. Duration 34'. Breitkopf and Haertel #PB 14620. Published by Breitkopf and Haertel (BR.PB-14620).
ISBN 9790004211038. 10 x 12.5 inches.
Ludwig van Beethoven wrote his Piano Concerto no. 4 in 1805, thus contemporaneously with the opera Fidelio and the Symphonies nos. 5 and 6. The first performance took place on 22 December 1808 at the now legendary "academy" (subscription concert) in which Beethoven presented the two new symphonies and the Choral Fantasy op. 80 to the Viennese public for the first time. The work was first published that year by Breitkopf & Hartel. The autograph of the score is no longer extant. The principal source of the musical text on which the present edition is based is a scribal copy examined and corrected by Beethoven.
Piano/harpsichord and orchestra (solo: pno – 1.2.2.2 – 2.2.0.0 – timp – str)
SKU: BR.PB-14620
Urtext from the new Beethoven Complete Edition. Composed by Ludwig van Beethoven. Orchestra; Softbound. Partitur-Bibliothek (Score Library).
The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.
Solo concerto; Classical. Full score. 96 pages. Duration 34'. Breitkopf and Haertel #PB 14620. Published by Breitkopf and Haertel (BR.PB-14620).
ISBN 9790004211038. 10 x 12.5 inches.
Ludwig van Beethoven wrote his Piano Concerto no. 4 in 1805, thus contemporaneously with the opera Fidelio and the Symphonies nos. 5 and 6. The first performance took place on 22 December 1808 at the now legendary "academy" (subscription concert) in which Beethoven presented the two new symphonies and the Choral Fantasy op. 80 to the Viennese public for the first time. The work was first published that year by Breitkopf & Hartel. The autograph of the score is no longer extant. The principal source of the musical text on which the present edition is based is a scribal copy examined and corrected by Beethoven.
Preview: Piano Concerto No. 4 in G major Op. 58
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